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商品番号:5872
築地松｜額（リトグラフ）
山下 大五郎作
18,000円
ARTIST
山下 大五郎
明治41年（1908）10月2日、神奈川県藤沢市に生まれる。
近所に住む原精一（のちの洋画家）と早くから親しく、湘南中学校在学中には萬鉄五郎の家に出入りして学ぶ。大正15年（1926）東京美術学校師範科に入り、田辺至に師事し、先輩の林武にも指導を受ける。昭和3年（1928）帝展に初入選。昭和4年（1929）同校を卒業して奈珂中学校（現・秦野高校）で教えたが、昭和7年（1932）に辞めて画業に専念する。昭和12年（1937）と昭和14年（1939）の新文展で特選。昭和19年（1944）に召集され、戦後3年間の捕虜（俘虜）生活を経て昭和23年（1948）に帰国。昭和24年（1949）官展を離れて牛島憲之・須田寿らと立軌会を結成し、以後この会を中心に発表した。各地の農村や山野を訪ね歩いて風景を描き、昭和45年（1970）頃から数年は出雲平野にも通い、《築地松》《簸川野雨後》など出雲の風景を立軌展に出品した。晩年は安曇野の風景に取り組む。日本の山間や田園の自然を清らかに澄んだ画風で描いたと評された。
平成2年（1990）没。享年83歳。
| 出身地 | 神奈川県藤沢市 |
|---|---|
| ゆかりの地 | 神奈川県 |
| 美術学校 | 東京美術学校 |
| 展覧会 | 帝展新文展 |
Yamashita Daigoro (1908 – 1990)
Yamashita Daigoro (1908–1990) was a Western-style (yoga) oil painter born in Fujisawa, Kanagawa Prefecture. He was a boyhood friend of his neighbor Hara Seiichi, later a painter, and while at Shonan Middle School he visited Yorozu Tetsugoro's home to learn from him. In 1926 he entered the teacher training course of the Tokyo School of Fine Arts, studying under Tanabe Itaru and receiving guidance from senior student Hayashi Takeshi. He first exhibited at the Teiten (Imperial Art Exhibition) in 1928. After graduating in 1929 he taught at a middle school (now Hadano High School), leaving in 1932 to paint full-time. He won a special selection prize (tokusen) at the Shin-Bunten (New Ministry of Education Art Exhibition) in 1937 and 1939.
Drafted in 1944, he spent three years as a prisoner of war and returned to Japan in 1948. In 1949 he left the official exhibitions and founded the Rikkikai with Ushijima Noriyuki, Suda Hisashi and others and exhibited mainly there. He painted farming villages and mountains across Japan. From around 1970 he made repeated visits to the Izumo Plain, exhibiting works such as Tsuijimatsu, and later focused on Azumino. His work was regarded as portraying Japan's mountains and countryside in a clear, limpid style.
Drafted in 1944, he spent three years as a prisoner of war and returned to Japan in 1948. In 1949 he left the official exhibitions and founded the Rikkikai with Ushijima Noriyuki, Suda Hisashi and others and exhibited mainly there. He painted farming villages and mountains across Japan. From around 1970 he made repeated visits to the Izumo Plain, exhibiting works such as Tsuijimatsu, and later focused on Azumino. His work was regarded as portraying Japan's mountains and countryside in a clear, limpid style.
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山下 大五郎 作品集
